Leafmarks adds features much wanted by Goodreads users – filter out images, high-level blocking, and more

Originally posted on Literary Ames:

LeafmarksAccording to their latest newsletter, Leafmarks has implemented useful features desired by Goodreads members at almost the same time Goodreads has added an unwanted and derided feature that spams recommends books to you in the Updates feed on the home page, while many sought after ones – as well as a long list of bug fixes and defunct features – have seemingly been ignored in Amazon’s pursuit of profit.

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Author Jenny Trout Lays Out The Blogger Blackout and Exposes Some A-Holes In the Process

Jenny Trout on the Steve Harvey show.

 

Jenny Trout, great author and all around nice lady, has a couple of blog posts in “Don’t Do This Ever”- her ongoing advice to writers feature- which spell out exactly what’s going with this and why it’s so important.   Far be it from me to ever put words in anyone’s mouth when, as always, the best method is to simply see for yourself.  And there are screenshots showing the depths some people will sink to in order to spew venom.

Jenny Trout: Don’t Do This Ever (Stalking the Hand that Feeds You Edition)

Jenny Trout: Don’t Do This Ever (Say Hale No to the Taliban Edition)

Interview with Hermes by Rebekah Lewis

Originally posted on Literary Lagniappe:

Rebekah: Good morning, Hermes. How are you today?

Hermes: Awesome? And you?

Rebekah: Pretty good. Are you ready to start this interview?

Hermes: I live to be interviewed.

Rebekah: *mumbles* You do like to talk.

Hermes: What was that?

Rebekah: Nothing. Okay, first question: what’s the first thing you did when I left you at the end of Mercury Rising?

Hermes: I went back to Greece to check on Pan.

Rebekah: Were you secretly hoping you-know-who would be there?

Hermes: Can I plead the fifth? Because I think I am going to plead the fifth…

Rebekah. Haha, sure. Is Apollo giving you any trouble?

Hermes: Strangely, I haven’t seen much of him since. Which worries me more. It means he is up to something. Rumor has it he has been hanging around a certain god that enjoys wine, and that bodes ill for everyone.

Rebekah: What’s next for you?

Hermes:…

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Movie Scores Rule!

I love scores.

I’m a big fan of them.  Movies, video games, tv shows- I do it all.  I love the sound of an orchestra in the morning!  The rush of a string ostinato, the power of a pounding timpani beat… hell, I’ll even take a repetitive Hans Zimmer two-note motif if it serves the moment.  Before going any further, let’s be clear about the difference between soundtracks and scores.  Soundtracks are the songs that play during a movie; scores are the orchestrated music written specifically for the film that highlights and adds depth to the scenes.  Best example I can give is this one here:

This is the score by Danny Elfman…
And this is the soundtrack by Prince.

 

In fact, you may have noticed how the songs from soundtracks nowadays barely ever make their way into the movies they’re attached to.  You’re lucky to hear even one during the closing credits or while a character is buying cigarettes in a bodega.  Hollywood knows they’re just trying to squeeze extra cash out of you, but even they can’t outright lie about what they’re doing, so the albums are packaged as “Music from and Inspired By…”.   Which is not untrue; the central themes and elements that the movie reflects and explores influence the song selection.  Two good examples of this are Underworld: Awakening and Iron Man 3: Heroes Fall, particularly the latter.  Right from the outset the first track by Imagine Dragons- Ready, Aim, Fire- got you hyped for the flick and laid out what the movie was all about.

I’m fortunate enough to have grown up during the John Williams Era- when movie scores became cool and something you could talk about with your friends and not look like a dork.  Trust me; back then being known as a geek or a nerd was not something you wanted.  Reading comic books was ok, though.

Sadly, nowadays the quality of movie scores has fallen off dramatically.   There’s a clear reason for this, an undeniable turning point- *cough*HansZimmer*cough*- but that’s a subject for another post as this one’s already running long.  For now, here’s a few examples of scoring brilliance for your listening pleasure.

The Last Airbender by James Newton Howard- if you’re a fan of the Avatar cartoons, this one is a must have.  And yeah, it blew the movie out the water.  Should’ve been Best Score instead of Trent Reznor’s music for the Facebook movie- The Social Network.  See, you didn’t even remember that one.

TRON: Legacy by Daft Punk- Loved what was done with Wendy Carlos’ iconic theme and it kicked plenty of ass in its own right.  And even though it was all kinds of repetitive and the mix was kind of off, it’s still a winner- especially if you can find a bootleg expanded set, i.e.- recording sessions.

Inception by Hans Zimmer- One of the best examples of how music compliments and supports a movie you’ll ever find.  Everyone loves it for ‘Dream is Collapsing’, but the best tracks were ‘Radical Notions’, ‘Mombasa’ and ‘Time’.

Battle: Los Angeles by Brian Tyler- This has simply the best percussion cue since Brad Fidel’s Terminator motif.  A bombastic, militaristic good time for all.  Lower the volume to preserve your hearing.

John Carter by Michael Giacchino: Everyone- self included- was really disappointed in the movie, but the score was fantastic, absolutely fantastic!  His sources of inspiration were pretty recognizable and he did a awesome job of putting it all together.

Honorable Mention: King Arthur by Hans Zimmer.  Love this one; it underscores everything wrong and right with Zimmer’s music in one shot, but it’s still one of my all-time favorites.  The theme for Arthur and his knights is the stuff of high adventure.  Another one you should try to find the bootleg version/recording sessions for.  It’s well worth the effort.

 

 

The Blogger Blackout: What It Is & What It Isn’t

darkwriter67:

This week I’ll be joining in and supporting the Blogger Blackout in protest of The Guardian’s promotion of Kathleen Hale’s stalker post and the authors/readers/author’s fans who support such nonsense. The sheer numbers of people who actually agreed with her behavior, let alone praising her for the ‘courage and honesty to come forth’ (paraphrasing) would be unbelievable except for seeing it with my own eyes. I’ll instead take the time to retool the blog and perhaps revisit a few topics that need updating, maybe some content unrelated to new release books as well. It’ll be fun and educational, I promise. And the new books will return in a week.

#bloggerblackout #HaleNo #NotChilled #BloggerYes

Originally posted on Tez Says:

Hopefully you read my earlier post about I Support the Blogger Blackout, which explains why it’s taking place. But there’s some confusion about it, so here’s an explanation:

The Blogger Blackout is NOT designed to:
-Punish/harm/hurt all authors
-Be permanent (though it may be for some)

The Blogger Blackout IS designed to:
-Support bloggers’ rights
-Help bloggers rekindle enthusiasm for reading, books, authors, reviewing, and blogging
-Be only temporary (anywhere between a few days and a week)
-Use the time to instead blog about issues pertinent to readers and bloggers, and to share blogging memories and favourite old books

Most, if not all, of us aren’t paid to blog or review, so we do this in our own time for free. Even we need some time off to rest and restore, and choose to do so now.

The very fact that SOME authors are taking the blackout personally goes…

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Friday Cover Reveal: Lucas Mackenzie & the London Midnight Ghost Show by Steve Bryant

M9B-Friday-Reveal

Welcome to this week’s M9B Friday Reveal!

This week, we are revealing the first chapter for

Lucas Mackenzie and the London Midnight Ghost Show by Steve Bryant

presented by Month9Books!

Be sure to enter the giveaway found at the end of the post!

Lucas MacKenzie eBook Final

Lucas Mackenzie has got the best job of any 10 year old boy. He travels from city-to-city as part of the London Midnight Ghost Show, scaring unsuspecting show-goers year round. Performing comes naturally to Lucas and the rest of the troupe, who’ve been doing it for as long as Lucas can remember.

But there’s something Lucas doesn’t know.

Like the rest of Lucas’ friends, he’s dead. And for some reason, Lucas can’t remember his former life, his parents or friends. Did he go to school? Have a dog? Brothers and sisters?
If only he could recall his former life, maybe even reach out to his parents, haunt them.

When a ghost hunter determines to shut the show down, Lucas realizes the life he has might soon be over. And without a connection to his family, he will have nothing. There’s little time and Lucas has much to do. Can he win the love of Columbine, the show’s enchanting fifteen-year-old mystic? Can he outwit the forces of life and death that thwart his efforts to find his family?

Keep the lights on! Lucas Mackenzie’s coming to town.

add to goodreads

Title: Lucas Mackenzie and the London Midnight Ghost Show
Publication date: November 18, 2014
Publisher: Month9Books, LLC.
Author: Steve Bryant

Chapter-by-Chapter-header---Excerpt

Lucas Mackenzie and the London Midnight Ghost Show
By Steve Bryant

Chapter One
Ghost Story

It was a chill, gooseflesh evening, thanks to the damp ocean air and to ghostly expectations. Thin black clouds scuttled past the moon like witches on broomsticks.
Far below, on an eerily empty California street, a delta wing Buick Electra neared a little theater. The four high school girls in the car shivered, surprised to find themselves so alone at this late hour. A line of empty cars stretched down the block to the black Pacific, and streetlamps glowed faintly in the mist. This was the San Diego community of Ocean Beach, a few heart palpitations shy of midnight.
“Sweet Mary,” said the Ponytail at the wheel. “The show must have started already. Who would have thought ghosts were so punctual?”
“Shut up!” said the French Braids seated beside her. “Ghost stories give me the heebie-jeebies. I can’t believe we came down here tonight to see dead people.”
The car entered the oasis of light cast by the theater itself. Although The Strand’s daytime fare ran to Elvis Presley and surfing movies, its illuminated marquee on this ghost story evening promised far more than Love Me Tender and Sandra Dee.
ONE NIGHT ONLY!
PROFESSOR MCDUFF AND HIS LONDON MIDNIGHT GHOST SHOW
SPOOKS RUN WILD IN AUDIENCE
PLUS
ALL-STAR CREATURE FEATURE
“Creepy!” said the Toni Home Perm in the back seat. “I think that skeleton in the window just looked at me.”
“Drive on by!” said the Poodle Cut beside her. “Let’s go home. I have a feeling. I think something is wrong with this show.”

* * *

Inside the little movie house, in the tiny projection booth at the top of the narrow winding stairs, a little boy peered through the small square window. His name was Lucas Mackenzie, and he was ten years old. Lucas felt as though he had been ten forever, and there seemed to be nothing he could do about it.
On stage at that moment, a magician in a smart black tuxedo and a red turban stood still as death, his dexterous hands moving only as his mysteries required. Professor Ambrose McDuff, as pale as storybook vampires in the glow of a single spotlight, showed both the fronts and backs of his hands to be empty, then plucked fans of playing cards from the air. Individual cards fell from his fingertips like rose petals falling upon a grave.
But despite the Professor’s eerie mastery of nineteenth-century card manipulation, this was 1959, and audiences demanded more. Lucas knew that the couples on hand were impatient for the theater to be plunged into total darkness, that the teenage boys on hand were hoping for something more dramatic than snatching jacks and aces from the air. This was supposed to be a ghost show, and the crowd—if the pockets of teenagers scattered about the theater at this late hour could be called a crowd—was tiring of card tricks.
“Come on, Pops,” someone shouted. “Let’s see some ghosts!”
A narrow cylinder of light sliced through the darkness as a young usher aimed his flashlight beam at the outburst. “Quiet! I’m warning you!”
“Aw, who’s gonna make me?”
On stage, a royal flush appeared at the magician’s fingertips.
Beautiful magic is not to be rushed, the Professor always said. There would be time soon enough for so-called ghosts.
Nevertheless, Lucas rolled his dark eyes in response to the outburst below—a shame, he felt, as he loved the Professor’s card tricks—and concluded that it was time to move the show along.
He wore a set of large black metal headphones, and he spoke into the grille of a gray bullet microphone. “Bravo, Professor. Nice work. Yorick is set to go on, and then Alexandra. This crowd should love the Juan Escadero number.”
As Lucas knew, Professor McDuff, could hear him perfectly thanks to earphones concealed beneath his red turban. Lucas had designed the show’s secret radio network—the entire theater was wired with microphones and receivers—and was very proud of it. It had been his first contribution to the show. Before Lucas’s time, electronic communication relied on copper plates in the bottoms of the Professor’s shoes, and on long copper wires hidden under the runway carpet, a holdover from the Second Sight mind-reading acts from the thirties.
No one would suspect the simple arrangement of the Professor’s next exhibit of using hidden electronics or secret mechanisms. He placed a glass shelf across the backs of two chairs, and atop this innocent platform he placed the centerpiece of the demonstration, an oversized human skull in a red sombrero.
The reaction was immediate. As Lucas expected, the agitators in the audience fell silent. At least this skull in the red hat looked as if it belonged in a spook show. Its eye sockets and nose cavity were dark hollows, its teeth a fixed, mocking grin.
The Professor tossed decks of cards into the audience and instructed three boys to stand and take a card. Could this “Juan Escadero,” proclaimed by the Professor to be the “floating, talking head of one of Mexico’s most notorious card cheats,” look into their minds and identify their cards? Could anyone?
The ivory-hued head on the glass platform twisted from one boy to the other.
“Ay, amigos,” it said, in a voice that sounded like Speedy Gonzales. “My Inner Eye sees all. No one keeps secrets from Juan Escadero. Could you be thinking of the king of hearts? And you the two of spades? And the ace of diamonds for the muchacho in the middle? Please be seated if I am correct.”
Instantly the three spectators sat down, and the audience rewarded the disembodied card sharp with applause and whistles.
As always, uncertainty rippled through the theater.
A wise guy in row 4 voiced his solution. “It’s a hidden microphone,” he said. “Someone behind the curtain is speaking into it.”
Another boy said, “It’s the old man. He’s doing it. It’s nothing but card manipulation and ventriloquism.”
A third shouted, “Hey, Pancho. What about the floating?”
The audience gasped as the skull suddenly turned, ever so slightly, in the direction of the challenge. For the first time the thing appeared to be genuinely alive, as though it had heard the comment.
“Ay, mi cabeza,” the skull said. “I feel so light-headed.” At which point the talking skull rose two feet in the air above its glass shelf. The ghastly thing bobbed in space, its red sombrero at a jaunty angle, its mouth open in a gaping grin. Lucas grinned too as the audience again broke into appreciative applause.
“Threads,” said a worried voice in row 10. “It’s gotta be threads.”
Lucas hoped for a similarly warm reception to Professor McDuff’s next magical presentation, the Houdini Metamorphosis Trunk. As the Professor introduced a wooden packing case large enough to conceal a dead body, Lucas cued Alexandra, one of the lovely Gilbert triplets. Though the three Gilbert girls were only twenty-two, they treated Lucas as though they were his mom. Tonight, it was Alexandra’s turn to do the box trick.
“Thanks, kiddo,” she said from a communication console in the wings. “I’m set. I love these California kids. They think I’m the ginchiest.”
The teenagers whooped and whistled as the beautiful Miss Gilbert strutted onto the stage in a black crepe dress. A red bow adorned her long blond hair, and her movie-star figure was breathtaking. She threw kisses to the audience and winked at Lucas in his booth.
The trunk, Lucas observed with pride, was old and creepy, weather-beaten, and just too darn real—like something that might have been found at night on a dock. This was no glitzy magic shop prop. The Professor locked the lovely Alexandra inside, the lock snapping shut with a heavy clunk.
The magic itself was spooky, like a dissolve in a monster movie when a man turns into a werewolf. Lucas loved the movie I Was a Teenage Werewolf and wondered what it would feel like to change. What if your muscles bulged until they ripped your shirt, if the fur of a wolf sprouted from your face, if your teeth became deadly fangs, all in a matter of seconds? Would teenage girls be frightened, or would they admire you?
The Professor made it look so easy. One moment he was standing on the box, hidden behind a large cloth. After a mere flicker, the cloth fell away and revealed a liberated Alexandra standing in his place. She then wiggled off the box, opened the formidable padlock, and produced the Professor from within.
The cast was proud that magical insiders would swear the exchange could not take place so quickly. It must be a new invention. According to reports in the leading conjuring magazines, the great Blackstone himself had seen the show in Cleveland and had left the theater shaken.
“It’s just the old switcheroo,” a boy in row 8 rationalized. “It’s a sliding panel. They all do it.”
But now it was Lucas’s turn to tremble, high in his aerie. His favorite part of the show was coming up. With both hands he adjusted the headphones, and he faced the microphone, paralyzed. Seconds ticked by.
He forced her name out at last. “Uh, Columbine?” His voice squeaked. “Ready? You’re up next.”
“Of course I am, Lucas.” The words danced in Lucas’s headphones. He had said her name. She had said his. It was the highlight of every performance. “I’m a mystic after all, a seer. And, Lucas, I think you should look behind—”
Just then something cleared its throat behind Lucas.
“AAUGH!” the boy yelled, startled to realize he wasn’t alone. Lucas turned to find a behemoth of a man standing behind him. The man might have been a stunt double from a Frankenstein movie, except that he was too tall and, perhaps, too green. His short black hair carpeted a flat head, and he wore a loose fitting brown suit with a brown bow tie. The two of them barely fit in the room.
“Oh, it’s you,” Lucas said. “For a moment you gave me quite a start.”
They both laughed. It was a private joke between the two of them, a riff on a favorite Charles Addams cartoon. Lucas felt the fellow, whose name was Oliver, looked a little too much like the servant in Mr. Addams’ spooky cartoons.
“Greetings, Master Lucas,” said Oliver. “I thought I should drop in to ascertain that you hadn’t swooned from love. I wouldn’t want to find you incapable of performing your duties.”
“You’re soooo funny,” Lucas said. And then he slapped his forehead and turned back to the microphone.
“Uh, sorry, Columbine. Good luck. Just follow the Professor’s lead.”
Lucas looked through his little window with concern. The theater was musty, a consequence of being so close to the ocean. “It’s such a small house tonight,” he said. “I hope she doesn’t take it personally.”
“What’s the count?” Oliver asked.
“I’m thinking only 150 or so,” Lucas said. “And this theater seats 800.”
“My, my,” his large friend said. “A pity. Goodness, we drew 3100 at the El Capitan in San Francisco, back in ’42. And 4000 a year later at the Bijou in Cincinnati. That’s a lot of screams.”
Audience numbers had been dwindling for some time, and night after night Lucas became more disheartened. Could the show actually come to an end some day if people quit coming? If the cast dispersed, where would he go? To be adrift, alone, was unthinkable, like stepping into a black abyss. And more importantly: where would she go?
But at that moment she was about to take the stage, and the teenagers who were on hand welcomed her warmly when the Professor introduced her as “the Teenage Telepath, the Diva of Destiny, the Psychic of the Century—the sensational Columbine.”
She strode onto the stage, this tall, thin, stargazing girl of fifteen years, with midnight black hair. She wore a plain white shift, and her skin was fair and moonbeam pale. The only color on stage was the girl’s lips, afire with red lipstick. Most would judge her to be six feet tall, though she would insist she was no more than five eleven. Her dark eyes turned to the crystal ball resting in the palm of her right hand.
The audience suddenly became very quiet. One boy coughed, apologetically.
“Okay, Eddie, let’s sell this,” Lucas said into his microphone.
The theater suffered from an ancient wiring system and a shaky bank of lights, but they were not a problem for Eddie, the Lighting Guy, hunched in the back of the building. Lucas watched as Eddie bathed Columbine in a blue spot. She looked ethereal. A Columbine performance was like a religious experience.
“This girl is like putty in my hands,” Eddie said into his microphone.
Lucas hated it that Eddie thought he had Columbine wrapped around his little finger. Ever since she had joined the cast, over two years ago now, Eddie had strutted about as though he were her boyfriend. Columbine herself seldom seemed to notice him, but Eddie just passed this off as her distant personality. “That’s just my girl,” he would say. “We have an understanding.” Lately she spent most of her private time listening to Buddy Holly records and consulting her astrological charts.
Oliver and Lucas leaned their heads together as both attempted to see through the little window at the same time.
“What’s that I hear?” said Oliver. “That unearthly tapping? I’d call it a rhythmic tapping, but it keeps skipping beats. Certainly it couldn’t be, oh, your heart?”
“Quiet, you big goofus,” Lucas said, “or I’m cutting your minutes.”
In the audience, hands exploded into the air, vying for the pale seer’s attention. All the teens wanted their fortunes told.
Columbine turned her lovely face from one longing soul to another. Her gazing-glass visions began.
To one girl, she said, “There is a jukebox, at a place near the beach. The moon has just risen, and the lights are dim. Johnny Mathis is singing ‘Chances Are.’ You will dance with one boy, but another will cut in. He’s the one!
To a boy, she said, “You are in a roller skating rink, and there is organ music. It’s a couples skate, and the song is ‘Volare.’ There is a girl who shows up on Saturdays, with a long blond ponytail. This time you won’t be too shy to ask her to skate.”
And then, “Oh, dear,” she said. “In the third row. I am sorry. Your girlfriend will see the scary movie The Blob with another boy. They will sit through it twice.”
A whispered argument broke out in the third row.
“Big deal,” said a boy in row 12. “That ball is probably just one of those Magic 8 Balls.”
“Or she could have looked this stuff up in this morning’s horoscope,” said another. “In the paper.”
“Yeah, but I’d sure like to take her to the prom,” said still another.
Lucas sat with his mouth open as this astral Miss Lonely Hearts spun out her prophecies. The crystal in Columbine’s hand turned slowly, casting streaks of ice blue across her enchanting face. To look at her was to believe her, to not look at her was impossible.
“My public awaits,” said Oliver. He passed a large hand back and forth before Lucas’s goggled eyes, but the boy didn’t blink. “You’re a lost cause, Master Lucas.”
The big fellow left, closing the door behind him.
“I don’t know what to say to her,” Lucas said, his eyes still drinking in this witch-girl vision in blue. “I never know what to say.”
He adjusted the microphone and reverted to his professional voice. What Lucas lacked in adult vocal register he made up for in authority. “Okay, everybody. Let’s wrap it up for Columbine. Flowers, please, Professor. Oliver is up, and then into the blackout. Stations, everyone. It’s ghost story time.”
Professor McDuff returned and made a big to-do of presenting Columbine a bouquet of blood-red roses, then escorted her offstage to continued applause and whistling.
At the edge of the stage, with the girl safely in the wings, the Professor turned again and explained the rules of the blackout to the audience. “One: remain seated. Two: no flash photographs—our ghosts are bashful. And three: if something cold and dead should put its hands around your throat, you can always scream. And now,” the Professor added over the audience’s nervous laughter, “I give you the Curse of Frankenstein!”
Fog oozed across the stage floor, lightning flashed, thunder rumbled. Lucas gave birth to all three effects: a thick white cloud issued from his Vapor-250 Atomizer, simulated lightning exploded from a bank of flashbulbs, and thunder from his Hollywood Sound Effects phonograph record erupted from speakers the size of refrigerators. With a deft replacement of the phonograph needle, he threw in one more extended rumble for good measure.
“Ka-booooooom!”
On this note, Oliver lurched out, doing his best to look like the Frankenstein monster from the movies. His green hue, some last-minute Hollywood stitches, and a pair of sparking neck electrodes constituted special effects that rivaled those of the best Hollywood monsters. The teenagers granted him full attention as the hulking actor grimaced, spread his arms, and began his recitations.
Oliver’s low voice gave life to a selection of spooky rhymes. James Whitcomb Riley’s famous orphan told her witch tales, Edgar Allan Poe’s black bird perched ominously, Shakespeare’s witches issued their dire portents.
But as entertaining as the actor’s recitations were, and despite his looking like someone to avoid in an old castle on a rainy night, his welcome began to wear on his young audience.
“This isn’t the ‘Curse’ of Frankenstein,” an anguished voice said. “It’s the ‘Verse’ of Frankenstein.”
The teens in the front rows began to throw things at the stage. Milk Duds, Chuckles, Tootsie Roll segments, and a hailstorm of popcorn filled the air. The “monster” waved these trifles aside as he continued his soliloquy.
“That should do it,” Lucas said into the mike. “Cue the McClatter boys.”
In military formation, six life-sized skeletons marched onto the stage. Two of them wheeled out an enormous guillotine as the others restrained Oliver.
“Cool,” said a boy near the front of the theater. “Marionettes.”
The skeletons dragged Oliver to the guillotine and forced his head through the opening. The device’s steel blade loomed eight feet above.
“Murder most foul,” Oliver cried.
With a smiling glance at the audience, one of the skeletons pulled a lever, and the heavy metal blade dropped with a sickening thunk.
The audience gasped.
At first, nothing happened, as though the blade had passed through Oliver’s neck without harming him—the old magician’s trick. Then gravity set in, and Oliver’s head slid down the face of the thing, leaving a bloody red stain, and fell to the floor. It rolled toward the audience, wobbling this way or that as an ear or nose went round.
“EEEEEEEK!” the girls in the audience screamed as one.
The oversized green head stopped just at the edge of the little stage. Its eyes were open and looking about wildly.
The headless remainder of Oliver himself lumbered to its feet and began swinging its huge arms, knocking two of the skeletal McClatters aside in the process. On a quest for its head, it began walking toward the audience, with its arms held straight out, like a sleepwalker‘s. Just as it was about to step off the stage into the audience, Lucas directed Eddie to plunge the theater into total darkness. Even the blue illuminated exit sign faded from view.
This time, everyone in the audience screamed. The blackness was terrifying.
Lucas’s fingers played over the keys and toggles on his control panel, creating further screams, moans, and thunderclaps.
The phonograph needle settled into a recording of “Zombie Jamboree” by the Kingston Trio. The McClatter boys, being phosphorescent and therefore visible in the dark, lined up like a Las Vegas chorus line at the edge of the stage and began dancing a frightening mountain jig. “NOOOOOOO!” More panicked teenagers screamed.
“Launch the aerials,” Lucas commanded.
Flying in formation, three glow-in-the-dark female ghosts soared low in the darkness, just above the audience’s heads, their arms trailing alongside their bodies. At first the boys in the theater oohed and aahed over their pretty faces and their scandalously loose shirts and their pale green glow.
“Hey!” a girl shouted angrily. “I thought you came here to kiss me!”
“It’s a slide projector,” said a boy in row 10. “They’re shining it onto the ceiling.”
“Cheesecloth,” said another ghost show pundit. “I’ve read about this. They just treat it with luminous paint and wave it about.”
Lucas loved the idea of gliding over the heads of the audience and wished he could do that. Surely Columbine couldn’t ignore a boy who could fly.
But then the situation turned from romantic to revolting. The youthful faces that fueled the boys’ imaginations began to age at an alarming rate, decades falling away in a flash, until they became the faces of wrinkled hags. Their eyes glowed red. The gentle drift of the ghosts’ initial flight pattern gave way to a whirlwind of rocketing ectoplasm. The ghosts banked and swooped and buzzed their trapped victims. One of the phantoms shot straight up to the roof of the tiny theater, paused, and then dive-bombed back toward the audience. The teens in her flight path leaped from their seats to avoid being struck. Another plunged to the floor and zoomed along beneath the theater seats themselves, in that crusty netherworld of old popcorn and chewing gum. The excited teens leaped up onto their armrests as the spirit light flashed beneath their feet. The third ghost, to the shock of everyone who saw in the dim glow, lifted a boy into the air, planted a slobbery old grandmotherly kiss right on his lips, and dropped him back to earth.
Lucas chose this moment of collective panic, when the entire assembly was on the verge of rushing to the exits—and perfectly timed to coincide with the finale of the skeleton song and dance number—to liberate the crowd from its fears. “Lights, Eddie,” he said into the microphone.
“Got it, Squirt.”
A single bright spotlight, so bright that some had to shield their eyes to look, revealed Professor McDuff standing center stage, smiling. The skeletons, frozen in their final configurations like characters in an anatomy class, drifted backward into the shadows.
The Professor thanked the audience for attending, explained that the goings on had been “our little way of saying boo,” and introduced the feature film, Abbott and Costello Meet Frankenstein, starring Lon Chaney Jr., Glenn Strange, and Bela Lugosi, in their classic roles as The Wolfman, Frankenstein’s monster, and Count Dracula. It was one of Lucas’s favorites, one he often fantasized about watching with Columbine.
“And for any of you asking the question, ‘Do the dead return?’ our answer is, ‘Of course! We’ll see you next year.’ Pleasant nightmares.”
The California high schoolers responded with enthusiastic applause.
It was the same every night, wherever the show played across America. Part of it, Lucas figured, was that the teens enjoyed the show. Part of it was that the clapping masked the fact that many were still shaking from the strange goings on. And part of it, of course, was that the movie would give the lovebirds in the audience time to nuzzle with their sweeties in the dark, well after midnight, with no more fear of being interrupted by spooks that had seemed just a little too real. It was best, Lucas knew, that they not think too much about card skills no one could acquire in a single lifetime, about a floating skull that could steal thoughts, about an impossibly fast Houdini Trunk escape, about a beautiful girl who could see into tomorrow, about a decapitated giant, dancing skeletons, or floating ladies.
Lucas flipped a switch and the film began. The projector lamp gave off a pleasantly familiar burning smell, and the filmstrip ratcheted noisily through the mechanism, casting the movie’s opening black and white images of London at night onto The Strand’s little screen.
Later, there was to be a cast party in the theater manager’s office. Perhaps at the party, among the manager’s framed movie posters of King Kong, Godzilla, and Attack of the 50 Ft. Woman, amid the hubbub of post-show chitchat, Lucas might muster the courage to tell Columbine how wonderful she had been this evening, or to invite her for a stroll along the dark beach, only a block away. In his fantasy they walked barefoot in the sand, the black waves slapping the beach, alone beneath a silver moon and a spray of stars.
Right, he thought. As if that were going to happen. Why would the flattery of a ten-year-old boy make the slightest impression on a girl who was already fifteen? Why would his beach-walk invitation hold the slightest interest to a girl who no doubt liked boys on the beach to be taller, with muscles? And what if he were older, more her age? Would she reject him anyway, prefer Eddie over him, or prefer someone else entirely?
And so, once again, Lucas knew that he wouldn’t even speak to her. Rather, just before retiring, at sunup along with the rest of the cast, he would extract his diary from his little traveling suitcase, and he would draw, for the day’s date next to her name, in his small neat hand, his evaluation of her performance: four perfect stars. Lucas Mackenzie—boy critic.

* * *

Meanwhile, none of the teenagers settling in for the movie, the munchies, or the smooching opportunity seemed to notice the scratching noise coming from the back row.
Gleefully entering notes into a little journal, and the only one of the audience who had pointedly not joined in the applause, was an adult named Harlan H. Hull. Mr. Hull—Doctor Hull to his colleagues and students—was ecstatic over his findings. He salivated over a possible book advance, a research grant, a guest appearance on television.
Dr. Hull chaired the Paranormal Studies Department at Bradbury College, a distinguished liberal arts institution in upstate Illinois. From the moment he had entered the theater, armed with a battery of electronic sensors that the FBI’s J. Edgar Hoover himself might have envied, Dr. Hull had been monitoring various energy fields.
At first there were only hints. The needle on his Graviton Flux Indicator had registered surprising variations in body mass. If a stage show cutie could lower her body density that far, she could pass right through solid objects. Could the trunk have been normal? The spinning mirror on his Extensible Luminosity Gauge had picked up abnormally low dermal reflectivities. Could the psychic girl have been that pale?
But then came conviction. Dr. Hull’s Remote Thermal Scanner 360 had provided the proof he had been chasing. With a pistol grip, a cross-hair gun sight, and a readout with glowing red numbers, the device resembled a hand-held Flash Gordon ray gun. The RTS 360 could measure body temperatures across a room to an accuracy of one tenth of one degree, and what Dr. Hull had determined was still making him shiver.
If his readings were correct, he knew what he had feared to know.
He now knew the talking skull had housed no hidden microphone, the trunk no secret panel, the guillotine no trick-shop blade. He knew the gyrating skeletons were not string puppets, the soaring phantoms neither magic lantern show nor chemically treated gauze.
For every member of the show—from Professor McDuff to the yakking skull to the pale girl to the big green guy to the dancing skeletons to those floating hussies—had a body temperature of exactly fifty-nine degrees Fahrenheit. The temperature of the grave. The room temperature of Eternity. In a word, everyone in this show was dead. There was no other way to say it.
They had no business gallivanting around on stage before children. They belonged under the dirt, under the sod, under the feet of the living. And he was the one to put them there.
“I’ve got you, my pretties,” Dr. Hull said aloud, twisting one of his long strands of white hair in his fingers. “At last, truth in advertising.”
The London Midnight Ghost Show?
Spooks run wild in the audience?
Do the dead return?
Yes, indeedy!
And he had the proof!

 

 

Chapter-by-Chapter-header---About-the-Author

Steve Bryant

Steve Bryant is a new novelist, but a veteran author of books of card tricks. He founded a 40+ page monthly internet magazine for magicians containing news, reviews, magic tricks, humor, and fiction; and he frequently contributes biographical cover articles to the country’s two leading magic journals (his most recent article was about the séance at Hollywood’s Magic Castle).

 

Connect with the Author: Website | Twitter | Goodreads

Chapter-by-Chapter-header---Giveaway

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Book Blitz: Shifting Currents by Lissa Trevor

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Shifting Currents by Lissa Trevor

Genre: Erotic Paranormal

Number of pages: 191

Cover Artist: April Martinez

Book Description: After the meteorite wiped out civilization and most of the population, it took thirty years to scrabble together rudiments of society again. Sex is the main currency, for those who haven’t mutated special abilities.

Bethany, a Tech, is able to channel electricity through her body and charge up electronics. When she saves a Shifter girl about to be sold at auction, the girl’s brother, Lucas, offers to repay the debt with his body. While Bethany would love to have Lucas at her beck and call, she’d rather have sex with someone who wanted her as a partner instead of an obligation. But unable to resist the sexy Shifter, she agrees to his terms.

When an opportunity presents itself to travel cross the ravaged countryside to loot the remains of California, Bethany believes this is the best chance for her to find her own brother, a rogue Shifter on the run for a crime he didn’t commit. Lucas wants to go, too, to free his Shifter pack.

The caravan members are expected to provide sexual services to the owners in exchange for passage out and back. As the lines between pleasure and payment become blurred, Bethany struggles to remain human while the pull of the energy feels good enough to leave her meat sack body behind. Can Lucas learn to ground her against the shifting currents?

Available at: Loose ID / Amazon / BN / iTunes / Kobo

Excerpt: Bethany Macgregor searched the airwaves until she found a funeral dirge that was used hundreds of years before the meteorite hit. She let the heavy organ music wash over her through her tiny headphones. Keith was getting married today. Leaning against the wooden post, she felt the crisp air like a sympathetic caress on her face and neck. She focused on the livestock being sold in the pen across from her and let the smell of nature take her mind off her loneliness.
“Shouldn’t you be over at the looters’ tents?” Maya, her tribe’s chief, walked up to her and put a hand on her shoulder.
Bethany tried not to flinch, and Maya removed her hand. Bethany sighed, popped out an earbud for politeness’ sake. “I did a quick walk by. There’s nothing that can’t wait until the last day of conclave when the prices drop because the dealer doesn’t want to pack it up for the long schlep back home.” And because the silence was starting to get awkward, Bethany added, “Shouldn’t you be attending some back-slapping meeting in the main cabin?” Or having a “massage” in your cabin with someone who wanted a favor?
Maya snorted. “Backstabbing, you mean. No, we’re on our morning break. And I decided to breathe in the fresh smell of horse manure to clear my lungs.”
Bethany managed a wry smile. Maya was fifty years old and the oldest one in their tribe on the bluff. She had been twenty-one when the meteorite hit the world and knocked everyone back to the Jurassic period. Well, probably better than the Jurassic period. Then, all the dinosaurs had died whereas this time a few tough humans and animals survived. And of course the cockroaches, but Bethany hadn’t seen one of those since she left the part of Florida that was still above water to go up north where the Tech was strongest. Maya had gathered together the Bluff tribe with a shrewd sense of purpose and snapped Bethany up as soon as she entered the territory.
“Keith’s doing a good thing. We need another potter since we lost Angie to the Three Rivers tribe last year,” Maya said.
Bethany nodded. It was important to have the right mixture of artisans, farmers, and tradesmen to survive in today’s world.
“Lem has volunteered to share your bed, if you’re interested.”
Bethany’s stomach curled. Lem had already made that offer, and it was apparent he was only doing what Maya told him to do. Trying to keep the anger out of her voice, Bethany said, “I’m not going to switch tribes over Keith’s marriage. The Bluffs are my home. You can tell Lem he’s off the hook.”
“It’s not like that,” Maya said but cut off when Bethany turned away and put the earbud back in.
The wind picked up a bit, and stray bits of energy lit up the portable media player in her hand. Pain jabbed into her temple, like a screwdriver had been jammed into it. Bethany exhaled through the agony that turned her vision red, and pressed the center button on the device. Maya watched fascinated, as always, when the menu came up, and Bethany scrolled down to Alanis Morrisette’s “You Oughta Know.”
“Just don’t go flaunting that Tech. You don’t have to be willing if another tribe gets it in their mind to snatch you from us.”
Bethany just turned the music up loud to match the pounding in her head that channeling the energy to run the device gave her. Maya went away after one last longing look at the portable media player. Letting the angry song fill her, Bethany rolled her neck to get the kinks out of it and sat down with her eyes closed, helping her body deal with the intensity of pulling in the energy. If she had done it gradually, the pain wouldn’t have been that wretched, but she didn’t want easy or slow. The pain was cleansing, wiping away a little of the self-pity she was feeling. When the song was over, Bethany let the energy go with a sigh and a silent thanks. Getting up, she felt eyes on her, and she looked around. The tribes were socializing, chattering happily about the things they were going to trade.
She lovingly put the portable media player back into her pocket. She had traded a looter her ham radio setup for it. Bethany didn’t like hearing all the voices crying out in the darkness. Although on cold, lonely nights it was a comfort to realize the world was still going on and her tribe wasn’t the last people on Earth. Most of California and Florida had sunk into the oceans. Mount St. Helens and all of the Alaskan volcanoes had erupted, adding to the chaos. In a second after the meteor hit in Russia, worldwide communications dropped. If Europe was even still there, no one on this side of the Atlantic knew. There hadn’t been any contact outside the United States for the past thirty years. There were rumors, but nothing verified. And in the interim, strange and different creatures evolved. Bethany was one of them.
“You look lovely.”
Bethany glanced up at Keith’s voice, but he wasn’t talking to her. She watched her ex-lover, tall and handsome in a rough-and-ready sort of way, lean down and kiss his almost-bride on the cheek. They were strolling around the market, hand in hand, not a care in the world.
Darting into a tent, Bethany clenched her teeth as sharp jealousy drilled into her. It didn’t have the purity of the energy pull. It was aching like a bad tooth. She willed herself not to cry. It should have just been a marriage of convenience. A way to bring the River tribe and the Bluff tribe together. Keith had told her so. In bed. Several times. It didn’t look like it was convenient. In fact, it looked a lot like love. Bethany listened to the vendor’s spiel since he was kind enough not to notice her bright eyes or quivering lips. She was so grateful for the time it gave her to pull it together that she wound up trading a set of charged batteries for one of his canteens filled with a sweet honey mead before leaving his tent.
Blinking the tears away, she pretended they were from looking up at the sun that was muted from the ash still in the atmosphere. A flutter of wings caught her eye. A brown eagle perched on the tree next to her. It looked at her like she was a mouse. Intelligent yellow eyes regarded her intently. It was a magnificent bird, beautiful feathers and a regal look. Big too, she saw as it spread its wings and folded them back to preen. Bethany bowed her head, feeling ridiculous at her awe of the noble bird who continued to survive in such a desolate world. It would have been born amid the chaos, like she had been.
Today wasn’t the first time she had seen it. Or at least one that looked just like it. Up on the bluffs, she’d sensed eyes on her and looked around only to see an eagle observing silently. She had gotten used to it, tried to tempt it closer with bits of meat, but it disdained her attempts at domestication. Still, when she walked in the woods, the bird wasn’t ever far. Not for the first time, Bethany wondered if it was a Shifter. She had given it plenty of time to shift in front of her, often dillydallying in the brush far from camp, hoping the bird would transform.
The truth was she had been lonely even when she and Keith were together. The tribe needed her, wanted the Tech she could provide. But they never fully accepted her because she wasn’t normal. Dinners were a stilted affair, and social events strained, so Bethany learned just to avoid them. Walking alone in the woods, she pretended the animals in the woods were companions, like she had done when she was a little girl. It was a game her brother, Daniel, had taught her, before he went feral and killed all those people.
“I’ve got to stop this, or I’ll be a sniveling wreck,” she told the bird, but the eagle wasn’t looking at her. She followed its inscrutable golden eyes to the next animal up for auction.

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About the Author:

Lissa Trevor has her stilettos firmly entrenched in the romance community. Spank Me Mr. Darcy is her debut novel from Riverdale Avenue Books. She is a frequent reader at Manhattan’s Between The Covers events, where her novellas Wild Oats and Timelash from Coliloquy’s Entwined volumes 1 & 2 have been very popular. Lissa also created an erotic story template for Coliloquy’s ValEntwined promotion that allowed readers to download a personalized ebook starring themselves and their significant other.

Contact Lissa on: Blog / Twitter / Goodreads / Facebook